FLASHBACK: 1997 Interview with Dorothy Dandridge Biographer Donald Bogle

Dorothy Dandridge

If you aren’t familiar with Donald Bogle’s work, then you’re missing out on one of the quintessential biographers and researchers of the documented history of African Americans in film and television. His books include Toms, Coons, Mulattoes, Mammies & Bucks: An Interpretive History of Blacks in American Films, Bright Boulevards, Bold Dreams: The Story of Black Hollywood, and Brown Sugar; Eighty Years of America’s Black Female Superstars.

In this 1997 interview with PBS’s Charlie Rose, Mr. Bogle is joined by two legendary actresses: Ruby Dee and Cicely Tyson (making a rare appearance… replete with leather gloves).

All three guests are discussing Donald’s 1997 book, Dorothy Dandridge: A Biography, as well as an intense discussion about the actress herself and Black actresses in Hollywood.

Whitney Performs; Fences Opens; Tribeca Premieres; and More!

April has been a busy month for film premieres, events and glam gatherings! From the opening of the late-August Wilson’s drama “Fences,” starring Viola Davis and Denzel Washington, to Whitney’s shaky comeback, we have the latest photos of the latest glam gatherings!

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Madea is the Only Black “Woman” That Can Open a Film?

“…when you think about a black woman who can open a film, I mean they will green-light the film because of her presence in the film — you know there’s only one person, and that’s Madea.”

Atlanta, Georgia’s, online publication “Rolling Out” wrote an insightful article about the dearth of roles for Black women in film. Of course the article was highlighting the Black Women in Film (formerly, Black Women Film Project) luncheon featuring some of Hollywood’s leading Black actresses in film and television. The article outlined a number of concerns with the roles of Black women –something the IBWFF has also been highlighting for years.

The rub was to promote how much work there is in Atlanta, as well as how much Tyler Perry’s films and studio have impacted roles for African Americans. Personally, my mother’s family has been in Atlanta for over four generations, so I always took for Black achievement and success for granted –i.e., it was something you did, not something you undermined, like in many urban centers.

For many African Americans, Atlanta is a burgeoning, Black metropolis for actors and performers. Tyler Perry’s studio is another example of ingenuity, need fulfillment and entrepreneurship, in the face of seemingly insurmountable odds. Sadly, the strength, purpose and vision of the luncheon was cut short by the closing statement by Roger Bobb, executive vice president of Tyler Perry Studios. After actress Terri Vaughn’s impassioned plea about roles for Black women in Hollywood, and after outlining the impact of such a worthy luncheon, one small statement seemed to dismiss and undermine everything that was just presented.

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The statement?

“…(W)hen you think about a black woman who can open a film, I mean they will green-light the film because of her presence in the film — you know there’s only one person, and that’s Madea.”

Wow. Did he just state that a Black man dressed as a Black woman is the only “Black woman” who can open a film?

Tyler Perry as Madea

Oh, but he did add, “Now you do have some exceptions — Halle Berry and Queen Latifah. But after that, the list goes way down.” Goes down? Goes down to what? Zoe Saldana? Angela Bassett? Gabrielle Union? Alicia Keys? Beyonce? Mo’Nique?

I respect the work (and jobs) that Tyler Perry Studios provides; however, I wish that Mr. Bobb had edited his words more carefully, especially considering that he just attended a luncheon where Black women in film were discussed for over an hour and a half.

Maybe he was taken out of context, who knows? But please, Black women in film are “dissed” enough… we don’t need to be dissed at our own events.

Read the article: http://www.rollingout.com/insiderohome/ro-today/8882-are-black-women-blackballed-in-hollywood-insiders-sound-off.html

Am(erykah)’s Artistic Statement

Okay, let’s cut right to the chase. Erykah Badu’s video “Window Seat” has been heating up Facebook pretty much for the past couple of days. I was hit with an onslaught of links and “whadya thinks?” since March 29, 2010. To say the least, people were “vexed,” distraught, titillated, mortified and stupefied.

Comments ranged from questioning her sanity, to outright anger, and to kudos.

Though Miss Erykah is one of my favorite music (and performance) artists, I hadn’t taken two minutes to watch the video because I’m just not one for a hard sell (no pun intended). I like people to get all of their nutty comments, talk show appearances and morning show battles out of the way before I actually feel compelled to view something objectively.

In this case, it was the subject matter that was so compelling that I had to finally watch: the perceived exploitation of the Black woman’s body, and controlling the image of the Black woman’s body. (What could it hurt, right? Plus it’s free, so stop complaining.) I click on the one of many links and sat, and sat, and sat.

First, I wasn’t that blown over by the song itself. It was pretty standard, and I felt it was more of a “filler” song. There were no vocal pyrotechnics, or note gymnastics, but it was listenable.

I started getting that Coldplay feeling like, “Oh, here we go again. Another film school experiment in an attempt to make some big –albeit undecipherable– artistic statement.”

For those who haven’t seen the video, Ms. Badu is in the same location as President Kennedy when he was assassinated in Dallas. (OK, keep that point in mind.) Dallas is also Ms. Badu’s hometown. (Point number 2.) The film is grainy and shaky. (Nothing good can come from that given the first point.) The camera is unflinching and Erykah is never out of view.

But wait… there’s more!

As Miss Erykah is walking down a busy Dallas street, she is slowly taking off clothing. By the time she takes off her top, you’re pretty sure it’s going down a slippery slope. (No pun intended, again.)

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Yes, she strips down to nature’s own scuba suit… in public. And, no, there was no permit to for the filming.

In the end is a simulated assassination.

Wow. I didn’t see that coming… given the first point. But for many Am(erykah) it was just a little too much.

As someone who still cringes at nude scenes in film, I was a little floored, and somewhat impressed that she dropped it like it was hot. One side of me thought, good for her! The other side thought, now that was just unnecessary.

Of course people are outraged, including the City of Dallas. Folks in Texas don’t take to kindly to public nudity, especially when it’s filmed.

Talk shows, including the “Early Show,” went 5150. (That’s city code for “crazy.”) Morning co-host Maggie Rodriguez almost lost her breakfast while spewing out her distaste for the video, even bringing President Kennedy and how Ms. Badu disrespected the assassinated President. (Maggie, chill the f– out.)

My own mother had an interesting (and funny) comment, “You can’t expect a child not to be traumatized by seeing a nekkid Black woman… or man!” (Of course it was said in the humor.) We laughed because it was definitely in the humor of one of my favorite Mel Brook’s movies, “Blazing Saddles”: “Excuse me while I whip this out!” Aaaaaagh!

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It also brought to light a bigger issue: How does America (still) respond to the Black body?

Erykah responded via Twitter to everyone’s ire:
@fatbellybella character assassination due to mob mentality/ groupthink is the theme of the window seat video . The message is encoded.

OK, I got that, but I think that a deeper message about the Black body, America’s perception of it, and the fear, fascination and loathing it still possesses for people who never have an opportunity to see it in a positive light.

Hopefully the video will deliver a larger message and start a larger dialogue. Read Natalie Hopkinson’s take on the video and the Black woman’s body at “The Root,” and visit Erykah Badu’s Twitter account for her deeper insight into the controversy.

Momma’s Hip Hop Kitchen presents Back to Our Roots!

Momma’s Hip Hop Kitchen (MHHK) is a multifaceted hip hop event designed to showcase women artists, especially women of color. MHHK serves as a social justice community-organizing platform that educates and empowers women of color on issues that impact their lives, including HIV/AIDS and reproductive justice. Our mission is to create a dynamic interactive exchange and safe space for all women of color to express themselves through their art.

Invitation From the Event Organizers:

MHHK Volume 3, Back to Our Roots, will be honoring International Women’s Month by bringing together educators, students, environmentalists, djs, emcees, b-girls, poets, visual artists, dancers, healers, pastors, organizers and activists to collectively express our solidarity with women’s rights!
We hope that you can join us at this free and family-friendly event. Local organizations and businesses focused on these and/or related issues are encouraged to participate by tabling or simply attending.
When: Saturday, March 6th, 2010 @ the Hostos Center for Arts and Culture 450 Grand Concourse (at 149th St.) Bronx, NY (Main Theater)

Time: 2-5pm

This event is FREE and open to all ages.

For more information about the event, please visit our website @ http://www.mhhk.org or email hiphopkitchen[at] gmail.com. Organizations interested in tabling can register at http://mhhk.org/vol32010/tablingapplicatipr/

T’Keyah Crystal Keymah stars in “Crowns” February 27, 2010

T’Keyah Crystal Keymah is best known for her role on the ground-breaking sketch series, “In Living Color,” with the Wayans Brothers. She’s worked in a number of other television, stage and film roles since then.

On February 27, 2010, Ms. Keymah will return to the stage in the role of Mother Shaw in “Crowns,” at Florida A & M University.
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The Florida A & M University Essential Theatre and the FAMU Lyceum Series Present Crowns by Regina Taylor based on the book by Michael Cunningham and Craig Marberry. This production features FAMU students, faculty and graduates of its music and theater programs including famed alum T’Keyah Crystal Keymah who plays Mother Elsie Shaw. The show is a family friendly, vibrant and moving gospel-infused musical about faith, family, fellowship… and hats!

T'Keyah Stars in Crowns at Florida A & MFriday, February 26 at 7:30PM; Saturday, February 27 at 2PM and 7:30PM and Sunday, February 28 at 2PM – Lee Hall Auditorium, 1601 Martin Luther King Jr. Blvd. on FAMU’s campus. Shuttle buses will run from the east side of the Bragg stadium parking lot to Lee Hall every 15 minutes starting at 6PM on Friday and Saturday and at 12:30PM on Saturday and Sunday.

The first 450 FAMU student tickets per show are free (tickets must be reserved in advance), Thereafter FAMU students: $5.00, Non-FAMU Students: $7.00, Seniors: $12.00, General Admission: $15.00, Preferred Seating: $25.00. To purchase tickets or for more information, go to www.famu.edu/lyceum or call (850) 561-2425 or (850) 599-3413.