Free Writers Workshop for Vets

Ben Garant (“Reno 911!” and screenwriter for “A Night at the Museum”) will be leading a FREE workshop for veterans at the Writers Guild Foundation in Los Angeles in May 2010. He is encouraging people to come out and support a great cause, and this is your opportunity (vets) to get the advice on the screenwriting craft from one of the best in the business! (Yes, this is for veterans.)
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Find out more about dates and times at the Writers Guild: http://www.wgfoundation.org/events.aspx

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Essence’s Ode to Black History

Essence Magazine Cover, February 2010 - Reggie Bush

For those who read –or stumble upon– Essence Magazine, it was hit with a fire storm of letters in response to their February 2010 cover featuring Reggie Bush. Stunningly gorgeous, his presence on the cover backfired with Essence readers.

Why? Well, Reggie Bush is among a long list of Black male athletes and celebrities who are currently dating non-Black women and showing them off in as many public venues as possible. Normally, no one would care –nor look twice at his antics– but the message sent was not well-received by Black women readers. The issue –from what I can glean from the maelstrom– was aimed at “Black love.” To me, love is love, but when you put a qualifier on it (like the word “Black”) it’s meant to suggest a deeper love that is insurmountable to all of the negative messages that bombard Black men and women daily, i.e., racism, sexism, elitism, colorism, etc.

I *thought* that’s what Black love meant, but apparently I was way wrong.

If you’re a TMZ-addict, or can’t wait for magazines and tabloids to massage you with the latest celebrity news (like this site tries to do), then you’re more than aware of Kimbush (that’s for Kim KardashianReggie Bush). If you’re an even deeper reader who also has the audacity to read about issues affecting Black people (especially younger Black people), then you were probably hotter than a $2 pistol on a Saturday night at the message Essence appeared to be sending (albeit, unwittingly). For the unaware, Kim Kardashian is the daughter of entertainment lawyer, the late-Robert Kardashian, and has an E! Television reality series called “Keeping Up with the Kardashians.” Other readers may know her for her celebrity sex-tape with singer Brandy Norwood’s brother, Ray J.

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No one’s talent or accomplishments deserve deconstruction to the point of dismissal, but judging from the barrage of Letters-to-the-Editor, it seemed that sisters were not happy.

Why bother to mention it, you ask?

Well, when  other blogs covered the publishing melee, the general public posted very interesting responses. Overwhelmingly, people blamed Black women for feeling slighted and insulted! Wow.

The usual tired words were thrown around like some cryptic Black-women-hating secret code that everyone seemed to understand, specifically: bitter, angry, jealous and (this was a new one) nosy.

Unfortunately, this is a growing trend where everyone (and their mama) feels quite entitled to de-construct the social, cultural, psychological and physical construct of issues that impact Black women –and rarely do they know a sane Black woman. And, as usual, no one seems to come to our defense.

So what do we do when the institutions and outlets that claim to “have our back,” don’t? This is one of the reasons why the film festival was created.

Selected films in the festival don’t sugar-coat Black women, and not all of the films put us in a positive light; however, the festival actually cares enough to explore the issues that impact us, while trying to deliver the message in a supportive, proactive and impact-filled way, that promotes self-esteem, understanding and promotes positive behavior, especially between Black women.

As any woman (or person) should feel the right to say how society impacts her and her community, so should Black women. And, yes, there will be times when those who claim to support us will not. And there will be times when we are forced to rely upon ourselves –and maybe even each other– when our backs are to the wall.

The International Black Women’s Film Festival tries very hard to be a beacon of light when the hours are darkest. Even though some of us may take a misstep, it’s up to Black women to demand that our voices are heard just as clearly and strongly as anyone else’s, even in our own publications, at our own events, and in our own films.

So, let’s all do our best to make sure that those outlets that claim to speak for us, actually do…

Read Jamilah Lemieux’s response to the “Reggie Bush Issue”…

Momma’s Hip Hop Kitchen presents Back to Our Roots!

Momma’s Hip Hop Kitchen (MHHK) is a multifaceted hip hop event designed to showcase women artists, especially women of color. MHHK serves as a social justice community-organizing platform that educates and empowers women of color on issues that impact their lives, including HIV/AIDS and reproductive justice. Our mission is to create a dynamic interactive exchange and safe space for all women of color to express themselves through their art.

Invitation From the Event Organizers:

MHHK Volume 3, Back to Our Roots, will be honoring International Women’s Month by bringing together educators, students, environmentalists, djs, emcees, b-girls, poets, visual artists, dancers, healers, pastors, organizers and activists to collectively express our solidarity with women’s rights!
We hope that you can join us at this free and family-friendly event. Local organizations and businesses focused on these and/or related issues are encouraged to participate by tabling or simply attending.
When: Saturday, March 6th, 2010 @ the Hostos Center for Arts and Culture 450 Grand Concourse (at 149th St.) Bronx, NY (Main Theater)

Time: 2-5pm

This event is FREE and open to all ages.

For more information about the event, please visit our website @ http://www.mhhk.org or email hiphopkitchen[at] gmail.com. Organizations interested in tabling can register at http://mhhk.org/vol32010/tablingapplicatipr/

Mo’Nique at the Paramount in Oakland April 3rd

For all of you fans of Golden Globe-winning actress and comedienne Mo’Nique, she is scheduled to appear at the Oakland Paramount on (my birthday!) April 3, 2010!

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Tickets go on sale February 26, 2010, and everyone’s buzzing about buying tickets early because she’s a favorite for an Oscar(r) at this year’s Academy Awards for her caustic role in the Oscar-nominated film “Precious.”

Stay tuned as more information comes in!

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T’Keyah Crystal Keymah stars in “Crowns” February 27, 2010

T’Keyah Crystal Keymah is best known for her role on the ground-breaking sketch series, “In Living Color,” with the Wayans Brothers. She’s worked in a number of other television, stage and film roles since then.

On February 27, 2010, Ms. Keymah will return to the stage in the role of Mother Shaw in “Crowns,” at Florida A & M University.
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The Florida A & M University Essential Theatre and the FAMU Lyceum Series Present Crowns by Regina Taylor based on the book by Michael Cunningham and Craig Marberry. This production features FAMU students, faculty and graduates of its music and theater programs including famed alum T’Keyah Crystal Keymah who plays Mother Elsie Shaw. The show is a family friendly, vibrant and moving gospel-infused musical about faith, family, fellowship… and hats!

T'Keyah Stars in Crowns at Florida A & MFriday, February 26 at 7:30PM; Saturday, February 27 at 2PM and 7:30PM and Sunday, February 28 at 2PM – Lee Hall Auditorium, 1601 Martin Luther King Jr. Blvd. on FAMU’s campus. Shuttle buses will run from the east side of the Bragg stadium parking lot to Lee Hall every 15 minutes starting at 6PM on Friday and Saturday and at 12:30PM on Saturday and Sunday.

The first 450 FAMU student tickets per show are free (tickets must be reserved in advance), Thereafter FAMU students: $5.00, Non-FAMU Students: $7.00, Seniors: $12.00, General Admission: $15.00, Preferred Seating: $25.00. To purchase tickets or for more information, go to www.famu.edu/lyceum or call (850) 561-2425 or (850) 599-3413.

Horror Movie Appreciation: Maidie Norman

THIS ARTICLE IS REPRINTED WITH PERMISSION FROM THE AUTHOR, ANDRE DUMAS

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Maidie Norman may not seem too familiar to many- but for those with a keen eye will recognize her as the smart and headstrong maid Elvira from Whatever Happened to Baby Jane? She is another figure that I am thrilled beyond belief of gaining new insight about and hope that you will all gain a new appreciation of an actress who remained quite quiet on the radar. She was a pioneer for better roles and portrayals of black women in film and even to this day her legacy thrives and remains notable.

Norman had an undergraduate degree at Bennett College in Greensboro North Carolina and a master’s in theater arts from Columbia University. After her marriage, she moved to Los Angeles and began working at the Musart Theater in the early 1940s. Her first film was Burning Cross in 1947 and she made her stage debut in “Deep Are the Roots” in 1949. As she moved further into the 1950s, Norman began noticing a startling pattern in her acting roles. She was constantly being cast as a domestic character and was often required to speak in stereotypical speech patterns, a requirement that greatly distressed and angered Norman. Even though she continued to be cast as maids- most notably in Whatever Happened to Baby Jane?, Norman used her background in theatricality and brought it to the studios, resulting in her empowerment to rewrite her own film lines, “I’d say, ‘You know, this is not the way we talk these days. This is old slavery-time talk’”. As a result, Norman’s rewrites brought more power and dignity to her roles, allowing a perception change in black character roles to ensue.

Norman went on to teach drama at Texas College in 1955 and 56, and became an artist-in-residence at Stanford University from 1968-1969. It was her teaching post at UCLA however that created the ultimate history changing event, in which she established one of the first courses on the history of blacks in American Theater. She taught this class until retiring in 1977, but continued to promote African American arts and education at universities across the country. To this day, UCLA continues to honor her by giving an annual Maidie Norman Research Award to the theater arts student who presents the best research paper on the history of blacks in theater.

Other honors include being named Woman of the Year by the Los Angeles Sentinel in 1964, being inducted into the Black Filmmakers Hall of Fame in 1977, and receiving a professional artist award from the California Educational Theater Association in 1985. Maidie Norman died in 1998 at the age of 85 after a battle with lung cancer however, she continues to survive as an intelligent and smart woman in the film industry, who greatly changed the face and opportunities of black actors and actresses.

(Think Maidie Norman’s only “horror” type role was Baby Jane? Think again. She also went onto appear in episodes of the Twilight Zone and even Halloween III Season of the Witch.)

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ABOUT THE WRITER

Andre Dumas is a horror movie enthusiast and writes her own blog called “The Horror Digest.” She features Black History articles about horror films, including this article which is originally titled “Black History Month, Day 19: Maidie Norman.” According to her bio, Ms. Dumas is a “Writer. Cat enthusiast. Horror movie addict. Blood lover. Argento and Hitchcock stalker. Martha MacIsaac look-a-like. Video Game nerd. Plus, I’m awesome.” Yes, she is awesome.